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Amitabh Bachchan and Ayushmann Khurrana starrer GULABO SITABO is a decent entertainer despite the lack of humour and an average script.


The Coronavirus-induced lockdown has led to closure of cinemas. Since final three months, not a single star-studded movie has launched. However lastly, GULABO SITABO is all set to be streamed on a digital platform from as we speak and this flick has been observed because of the pairing of Ayushmann Khurrana and Amitabh Bachchan. Furthermore, it’s helmed by Shoojit Sircar, who has given memorable movies like VICKY DONOR [2012] and PIKU [2015] with each the actors respectively. So does GULABO SITABO handle to be as memorable because the aforementioned movies? Or does it fail to entice? Let’s analyse.

GULABO SITABO is the story of the rivalry between a tenant and a landlord. Mirza Chunnan Nawab (Amitabh Bachchan), 78, is married to Fatima Begum (Farrukh Jafar), who is sort of 17 years older to him. Begum owns more-than-a-century-old palatial mansion referred to as Fatima Mahal in Lucknow, the place she resides. However since she is kind of previous and in addition a bit delusional, Mirza takes care of the haveli. Part of Fatima Mahal is given to tenants, one in every of whom is Baankey Rastogi (Ayushmann Khurrana). Baankey’s household has been residing within the haveli as tenants since ages and Mirza now needs to drive Baankey and his household out since they’re paying merely Rs. 30 as month-to-month hire. Mirza’s demand to extend the hire at all times meets with a stiff resistance from Baankey, additional infuriating the previous. Within the absence of funds, Mirza just isn’t even capable of renovate the haveli and it’s in a very dilapidated situation. The situation is so unhealthy {that a} mere kick of Baankey results in breaking of a rest room wall. Mirza calls for that Baankey pay for the damages whereas Baankey makes it clear that upkeep is the duty of the owner. The matter reaches the cops who inform them to take this dispute to civil court docket. On the police station, Gyanesh Shukla (Vijay Raaz) from the archaeology division overhears their commotion. He follows them and realizes that Fatima Mahal is a heritage property. He begins to click on footage secretly however Baankey catches him red-handed. Gyanesh nevertheless tells him and different tenants that the haveli is of heritage worth and also can collapse anytime. He recommends that they permit Fatima Mahal to be handed over to their division who’ll then renovate it and convert it right into a museum. In return, he’ll give them a decent-sized flat with all facilities. Mirza, then again, meets a lawyer, Christopher Clarke (Brijendra Kala) who means that the previous ought to unload the mansion to unravel the issues of the tenants as soon as and for all. Within the cut price, he’ll additionally get a good-looking quantity. Nevertheless, it’s Begum who owns the property and furthermore, her siblings may additionally have possession. Consequently, Mirza units off to search out out who all from Begum’s facet are alive and in the event that they can provide him a No-Objection Certificates over promoting the mansion. What occurs subsequent varieties the remainder of the movie.

Juhi Chaturvedi’s story is promising and novel. We have now learn and seen movies about horrors confronted by tenants. However landlord being unfairly harassed can be a actuality and it is a uncommon movie to deal with that side. Juhi Chaturvedi’s screenplay, nevertheless, doesn’t do full justice to the idea. The movie is laced with some fascinating characters and setting and a lot might have been finished with them. Juhi, nevertheless, lets the chance cross. Juhi Chaturvedi’s dialogues are conversational and easy, with few of them being fairly sharp and witty.

Shoojit Sircar’s route is respectable. He had a weak script in hand and therefore, there isn’t a lot he might have finished anyway. Nevertheless, we’ve got seen the allure of his execution in movies like VICKY DONOR and PIKU. GULABO SITABO, too, is in the identical zone however his route leaves rather a lot to be desired. On the optimistic facet, he captures the essence of Lucknow superbly. On the large display screen, experiencing it could have been fascinating. He additionally extracts nice performances from his actors. On the flipside, the humour is lacking and it could have made loads of distinction. Additionally, a number of developments are bewildering and that is particularly close to the character of Mirza. On one hand, he’s purported to be fairly sensible and money-minded, which made him marry Begum within the first place. However then again, he’s additionally fairly simpleton who didn’t even know the right value of the objects he used to promote and even of the haveli during which he has been residing since many many years.

GULABO SITABO begins off on a good notice, introducing the characters (together with the mansion), the relevance of the title and the world during which they reside. The background rating and even the conditions give the vibe of a comic book caper however there are hardly any humorous moments within the film. It’s solely when Mirza wakes up in the midst of avenue is when the movie really and at last will get a laugh-worthy sequence. Issues fortunately get higher from right here as Gyanesh Shukla and Christopher Clarke get launched and it provides rather a lot to the sport of 1 upmanship between Mirza and Baankey. Although the movie retains one glued, one does miss one thing thrilling and even humorous to occur with the characters. That occurs solely within the final 10-Quarter-hour. The twist within the story is certainly unpredictable and although it’s not solely unconvincing, it ends the movie on a terrific notice.

Amitabh Bachchan delivers a smashing efficiency. His make-up is spot-on and the style during which he will get completely into the pores and skin of his character is seen to be believed. He makes an influence simply by his expressions. On this regard, two scenes which actually stand out are when he wakes up on the highway and when he appears to be like inquisitively as Vijay Raaz inspects the mansion. Ayushmann Khurrana additionally is kind of entertaining however his display screen time is lower than that of Amitabh. That is the second consecutive time that Ayushmann has settled for an prolonged supporting position, after SHUBH MANGAL ZYADA SAAVDHAN [2020]. Farrukh Jafar has a major position and leaves an enormous mark. She in reality rocks the present in two key sequences within the second half. Vijay Raaz and Brijendra Kala are reliable as at all times. Srishti Shrivastava (Guddo) is kind of assured. Others like Poornima Sharma (Fauzia), Annanya Dwivedi (Neetu), Ujali Raj (Payal), Sunil Kumar Verma (Mishra ji), Jogi Mallang (Munmun ji), Rajiv Pandey (Police inspector) and Behram Rana (Abdul Rehman) additionally do properly.

Shantanu Moitra, Abhishek Arora and Anuj Garg’s music doesn’t have a shelf life. The theme music is catchy and works properly. ‘Madari Ka Bandar’ is one other tune that in sync with the movie’s theme. The remainder of the songs like ‘Kuya Leke Aayo Jagme’, ‘Kanjoos’, ‘Budhau’ and many others aren’t memorable in any respect. Background rating is quirky and a lot better.

Avik Mukhopadhayay’s cinematography is great and captures Lucknow and particularly the dilapidated mansion superbly. Mansi Dhruv Mehta’s manufacturing design additionally provides rather a lot to the realism of the movie. Similar goes for Veera Kapur Ee’s costumes. Not one of the characters even remotely look glamorous and that goes in favour of the movie. Pia Cornelius’s prosthetics make-up design is great and provides to the influence. Chandrashekhar Prajapati’s modifying is satisfactory. Although the movie is simply 124 minutes lengthy, it appears fairly gradual.

On the entire, GULABO SITABO is a good entertainer for residence viewing. Regardless of the dearth of humour and a mean script, the movie works majorly due to the performances, the Lucknow setting and the twist ultimately.



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