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HASEEN DILLRUBA features some fine performances but an unconvincing narrative and a disappointing climax spoils the show


Director Vinil Mathew made a smashing debut with the light-hearted entertainer, HASEE TOH PHASEE [2014]. 7 years later, he’s again along with his subsequent outing, HASEEN DILLRUBA. This time, he has chosen a darkish topic with a splash of thrill and whodunit. The casting and the intriguing trailer has already made folks curious. So does HASEEN DILLRUBA handle to shock and entertain the audiences? Or does it fail to impress? Let’s analyse.

HASEEN DILLRUBA is the story of a spouse accused of murdering her husband. Rishabh Saxena aka Rishu (Vikrant Massey) resides in Jwalapur alongside along with his mom Lata (Yamini Das) and father Brijraj (Daya Shankar Pandey). He’s on the lookout for a lady for marriage and his search leads him to Rani Kashyap (Taapsee Pannu) in Delhi. Rishu falls for Rani immediately. Lata realizes that Rani just isn’t the straightforward and homely lady that she’s on the lookout for. However Rishu is adamant. The wedding takes place. A nervous Rishu fails to consummate the wedding. Lata, in the meantime, begins chiding Rani for mendacity that she will prepare dinner. Sooner or later, Rishu overhears Rani chatting with her mom (Alka Kaushal) and her masi (Puja Sarup) that Rishu just isn’t good in mattress. Rishu is harm and retreats right into a shell. Rani will get lonely. Sooner or later, Rishu’s cousin Neel Tripathi (Harshvardhan Rane) comes to stick with the Saxena’s. Neel is dashing and well-built and Rani will get charmed by her. Neel realizes that Rani is interested in her and each start a fling. Rani falls in love with Neel to the extent that she begins to be taught cooking in order that she will feed him his favorite dishes. Sooner or later, Neel expresses the need to have mutton. Rani, who’s a vegetarian, agrees and goes out to purchase meat. The identical day, she tells Neel that she’d like to finish the wedding and transfer in with him. A commitment-phobic Neel panics and runs away. Rani is harm and she or he blurts the reality to Rishu. Rishu wished to have a contemporary begin however this confession hurts him much more. Just a few months later, an explosion takes place within the Saxena residence, killing Rishu. The investigating officer, Kishore Rawat (Aditya Srivastava), is bound that Rani has killed Rishu. What occurs subsequent types the remainder of the movie.

Kanika Dhillon’s story works solely in elements. The characters are attention-grabbing and matched with the setting, the story had the potential to be a terrific homicide thriller. However issues go haywire within the second half. Kanika Dhillon’s screenplay just isn’t constant. Some scenes are very effectively written and considered. The primary 45 minutes raises the expectations of an exhilarating subsequent hour and retains you hooked. However the subsequent parts endure on account of inept writing. Kanika Dhillon’s dialogues are sharp and well-worded.

HASEEN DILLRUBA begins on an exhilarating observe and immediately units the temper. The scene the place Rishu meets Rani for the primary time is hilarious and the identical goes for the scene the place Lata protests by pretending to kill herself. Then the sequence the place Rani blasts Rishu within the bed room is bound to make viewers chuckle. In different phrases, the primary 45 minutes to 60 minutes doesn’t give viewers any motive to complain. Later, nonetheless, the movie slows down and even turns into unconvincing. Just a few developments will not be simple to digest and are certain to get thumbs down from the viewers. Within the pre-climax, the curiosity rises as soon as once more, particularly within the lie detector scene. However the finale acts as a disappointment.

Vinil Mathew’s path might have been higher, particularly when we’ve seen what he’s able to in his debut movie. The narrative is sort of a see-saw – whereas the movie goes on one other degree at some locations, there are scenes the place the curiosity degree drops. The preliminary parts are attention-grabbing and even Neel’s entry provides spice to the narrative. Nonetheless, the most important downside of the movie is the climax. In a suspense thriller, the viewer is eager to know the suspects, the precise assassin and the motive behind the homicide. The climax the place the identification of the assassin in addition to the motive is revealed comes throughout as a downer, outright unconvincing and tough to fathom.

Speaking of performances, Taapsee Pannu but once more delivers a smashing efficiency. The actress has raised a sure bar for herself and fortuitously, she manages to fulfill the expectations via her act. The function and script required her to change between being susceptible and daring, and she or he manages to be totally convincing. Vikrant Massey, too, offers his finest shot. In actual fact, his function has quite a lot of shades and it’s a deal with to see how he essays the half. Harshvardhan Rane has a late entry and has restricted display screen time. However he places up a terrific present. Aditya Srivastava does remind one in all his function within the TV present ‘CID’. However he’s too good and likewise raises laughs in a couple of scenes. Yamini Das is hilarious whereas Daya Shankar Pandey is okay. Alka Kaushal and Puja Sarup are first rate of their small roles. Ashish Verma (Afzar) is honest.

Amit Trivedi’s music is forgettable. ‘Dil Soften Soften’ is positioned in a terrific state of affairs. ‘Lakeeran’, ‘Phisal Ja Tu’ and ‘Mila Tu’ fail to register. Amar Mangrulkar’s background rating is healthier and leaves a mark within the thrilling scenes. Jayakrishna Gummadi’s cinematography is acceptable and the locales of Rishikesh are effectively shot. Madhur Madhavan and Swapnil Bhalerao’s manufacturing design is straight out of life. Varsha Chandanani and Shilpa Makhija’s costumes are practical with Taapsee’s garments standing out. Vikramjeet Dahiya’s motion is convincing and never excessive. Shweta Venkat Mathew’s enhancing just isn’t up to speed because the movie ought to have been shorter.

On the entire, HASEEN DILLRUBA is embellished with some high-quality performances however the unconvincing narrative within the second half and the disappointing climax spoils the present.



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