Again in 2009 when Love Aaj Kal had launched, its music had turned out to be a roaring success. But once more, it is the workforce of Pritam and Irshad Kamil coming collectively for Imtiaz Ali and one waits to see that after creating magic for Saif Ali Khan and Deepika Padukone a decade in the past, whether or not they have repeated the identical for Kartik Aaryan and Sara Ali Khan as properly.
It’s outdated world appeal revisited with ‘Shayad’ which has Arijit Singh taking center-stage. Simply the type of tune that’s made for hearts deeply in love, this one is for die arduous romantics. Be it the lyrics, music or the way wherein Arijit Singh goes about rendering this one, ‘Shayad’ is a winner all the way in which. No marvel, its ‘reprise model’ comes later within the soundtrack as properly with newcomer Madhubanti Bagchi giving Arijit coming. Had this tune been promoted extra aggressively, it might properly have turned out to be a serious chartbuster already.
Subsequent to reach is ‘Mehrama’ and the tune simply picks up from the place ‘Shayad’ left, therefore turning out to be one more lovely melody that makes an entry proper into your coronary heart. Darshan Raval and Antara Mitra pair up for ‘Mehrama’ which later additionally arrives in an ‘prolonged model’ and makes you lengthy for the one you’re keen on. These two songs, coupled with an extra model every, set the ‘sur’ of Love Aaj Kal and one expects the romantic temper to proceed proper by.
That is the explanation why ‘Raftaar’ rendered rap monitor ‘Parmeshwara’ seems to be nothing however a impolite shock. A very annoying piece which simply does not handle to register itself and is a misfit each within the soundtrack in addition to the movie’s narrative, it tries to be all cool and good however fails massive time. This one simply did not have a spot within the music of Love Aaj Kal.
Arijit Singh is again within the fold and he croons two again to again tracks, ‘Rahogi Meri’ and ‘Haan Tum Ho’. But once more, it is the same old romantic temper that’s created in these love songs which can be simply the type that one expects in an Imtiaz Ali movie. Not that these songs are chartbusters within the making as they don’t seem to be actually massy of their presentation and outlook. Nonetheless in the event you simply wish to sit again, calm down and take into consideration the one whom you’re keen on essentially the most, ‘Rahogi Meri‘ and ‘Haan Tum Ho’ (which has Shipra Rao coming into the fray as properly) actually find yourself becoming the invoice.
Mohit Chauhan had rendered ‘Yeh Dooriyaan’ within the first Love Aaj Kal and there’s a new model of the tune that arrives within the newest Love Aaj Kal with the identical title. The singer brings all his expertise into play with this heartfelt quantity that’s simply the type which is to be heard with quietness and serenity throughout. Carrying a very good dose of ache with it, this one has the signature theme that went within the background of ‘Yeh Dooriyaan’, therefore bringing on the nostalgia.
The tonality of the soundtrack modifications although with ‘Dhak Dhak’ and although this one is at the very least considerably higher than ‘Parmeshwara’, but once more it’s a misfit into the soundtrack. Attempting to infuse ‘pahadi’ type into the modern sound, this Nikhita Gandhi and Akasa rendered monitor tries to usher in every part from Rumi to web in a single go however does not actually make you play it in loop another time.
Fortunately, it’s again to romantic zone with ‘Aur Tanha’ which sees KK return after a hiatus. With a guitar within the background, that is one more tune which has a coronary heart in love eager for the one closest to it. A mushy rock quantity that goes properly with the movie’s narrative, this one might properly make it as a bonfire affair amongst youth.
The soundtrack concludes with a bang although with Arijit Singh and Shashwat Singh coming collectively for ‘Haan Principal Galat’. A brand new age model of ‘Twist’ that had made enormous waves in Love Aaj Kal  greater than a decade again, this one really seems to be an excellent model of the unique. Variety of occasions one has complains round recreated variations not likely matching as much as the unique however this one really succeeds in taking it to the following stage. Chartbuster.
The music of Love Aaj Kal has consistency written throughout it, barring a few songs that are misfits. There will not be many chartbusters on the market however in case you are the one who’s both actually in love with somebody or is nursing a damaged coronary heart, Love Aaj Kal does properly in rekindling these feelings properly sufficient.
‘Haan Principal Galat’, ‘Shayad’, ‘Mehrama’, ‘Yeh Dooriyaan’