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SALAAM VENKY has some touching moments and bravura performances, but fails to impress.

Salaam Venky Assessment {2.0/5} & Assessment Ranking

SALAAM VENKY is the story of a person’s proper to die. Venkatesh Krishnan aka Venky (Vishal Jethwa) is 24 and is affected by DMD (Duchenne Muscular Dystrophy), a degenerative illness during which the muscle tissues cease working one after the other as one ages. Within the current day, Venky can now not stroll and is wheelchair-bound. Her mom Sujata (Kajol) is a single dad or mum and has single-handedly taken care of Venky. He was at house when immediately, his situation acquired critical. He is rushed to the hospital the place Dr Shekhar (Rajeev Khandelwal), who has been treating him for years, realizes that Venky’s finish is close to. Even Venky is conscious of it and he asks her mom to fulfil his final want. He desires to go for euthanasia after which donate his organs to these in want. In case he dies naturally, a few of his organs won’t be price donating. He does not need such a state of affairs to come up. Sujata, clearly, disapproves of his plan as a result of as a mom, she will’t comply with this concept. However quickly, Sujata finds benefit in Venky’s suggestion. She agrees and decides to go to Courtroom, looking for mercy killing for her baby. However in India, euthanasia is against the law and it can lead to an extended, courtroom battle. What occurs subsequent varieties the remainder of the movie.

Salaam Venky

SALAAM VENKY relies on the guide ‘The Final Hurrah’ by Shrikant Murthy. Sammeer Arora’s tailored story (further screenplay by Kausar Munir) raises an vital situation. Sammeer Arora’s screenplay, nonetheless, is obvious boring within the first half. The writing will get higher within the second half however nonetheless fails to impress as a consequence of sure unfastened ends. Kausar Munir’s dialogues are higher and uplift sure scenes.

Revathy’s route is common. She handles some scenes with élan like Venky’s breakdown, Sujata revealing that she is the one mom who wakes up her baby in the midst of the night time and many others. The romantic observe is cute. A couple of courtroom moments are additionally arresting.

On the flipside, the story does not transfer within the first half. Venky joking about his demise turns into repetitive. The intermission is unexciting and it will not be shocking if moviegoers begin strolling out at this level from the cinema halls. It is solely within the second half that there is some motion and a few thrilling characters are launched. Even then, the issues proceed. Sujata’s backstory is unconvincing. Viewers by no means come to know what Sujata does for a dwelling and the way she is ready to bear the hospital bills. Lastly, the character of Aamir Khan will depart viewers puzzled because the director failed to offer a proof about him.

Salaam Venky Official Trailer | Kajol, Vishal Jethwa, Aamir Khan | Directed by Revathy

The performances additionally save the movie to some extent. Kajol underplays her half and it really works in her favour. This was a difficult half however she performed the half with perfection. Vishal Jethwa, too, needed to painting a troublesome position and is terrific. The best way he has displayed the development of the illness is totally pure. Rajeev Khandelwal is reliable. Rahul Bose (Parvez), Priya Mani (Nanda Kumar) and Aahana Kumra (Sanjana) depart an enormous mark. Prakash Raj (Anupam Bhatnagar) makes his presence felt within the position of a conscientious however sensible decide. Aneet Padda (Nandini) is cute and does effectively. The identical goes for Riddhi Kumar (Sharda; Venky’s sister). Ananth Mahadevan (Guruji) is wasted. Maala Parvathi (Sister Clara) is first rate whereas Kamal Sadanah (Prasad) has restricted display time. Aamir Khan is beautiful however his character is weird.

Mithoon’s music just isn’t of chartbuster selection and furthermore, there are too many songs within the movie. ‘Dhan Te Nan Zindagi’ is uplifting however is compelled within the movie. ‘Anda Bata Pratha’, ‘Jo Tum Saath Ho’ and ‘Yu Tere Hue Hum’ are forgettable. Mithoon’s background rating is well-tuned.

Ravi Varman’s cinematography is beautiful and using gentle and silhouette provides to the affect. Sandeep Sharad Ravade’s manufacturing design is theatrical. Radhika Mehra’s costumes are real looking. Manan Sagar’s enhancing just isn’t upto the mark because the movie ought to have been shorter.

On the entire, although SALAAM VENKY has some touching moments and bravura performances, the movie fails to impress as a consequence of a really boring first half and an insipid script. The lack of expertise and pleasure across the movie will closely have an effect on its prospects on the field workplace.

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